HAND-PAINTED PATTERN REPLICATING HISTORIC
TECHNIQUE ON TINTED AND STAINED PLASTER.
DETAIL: FREE-HAND PAINTED HISTORIC PATTERN
ON PLASTER, DISTRESSED.
STENCILED ROOM PATTERNED AFTER PHOTOGRAPH
FROM A BOOK ON THE VICTORIA AND ALBERT MUSEUM
IN LONDON, ENGLAND. NW CONNECTICUT.
AFTER:
HISTORIC STENCIL RESTORATION, NW CONNECTICUT
THIS CLIENT LOVED MOROCCO, WHICH GAVE US THE INSPIRATION FOR THE ARCHES, BUT THE PATTERN ITSELF WAS EXTRACTED FROM AN ARTS AND CRAFTS PIECE OF FURNITURE. THIS DINING ROOM CONSISTS OF A STENCILED PATTERN GLAZED ON THE CABINETS, AND A STENCIL PATTERN ON THE WALLS USING VARNISH (WITHOUT COLOR) TO CREATE A SUBTLE SHIMMER AS ONE WALKS BY.
ARTS AND CRAFTS STENCIL PATTERN DINING ROOM
TECHNIQUE ON TINTED AND STAINED PLASTER.
DETAIL: FREE-HAND PAINTED HISTORIC PATTERN
ON PLASTER, DISTRESSED.
STENCILED ROOM PATTERNED AFTER PHOTOGRAPH
FROM A BOOK ON THE VICTORIA AND ALBERT MUSEUM
IN LONDON, ENGLAND. NW CONNECTICUT.
HISTORIC STENCIL RESTORATION:
BEFORE:
HISTORIC STENCIL RESTORATION, NW CONNECTICUT
ARTS AND CRAFTS STENCIL DINING ROOM:
THIS CLIENT LOVED MOROCCO, WHICH GAVE US THE INSPIRATION FOR THE ARCHES, BUT THE PATTERN ITSELF WAS EXTRACTED FROM AN ARTS AND CRAFTS PIECE OF FURNITURE. THIS DINING ROOM CONSISTS OF A STENCILED PATTERN GLAZED ON THE CABINETS, AND A STENCIL PATTERN ON THE WALLS USING VARNISH (WITHOUT COLOR) TO CREATE A SUBTLE SHIMMER AS ONE WALKS BY.
ARTS AND CRAFTS STENCIL PATTERN DINING ROOM
